We love to share about what we call the "nifty fifty." Your BEST first investment would be a prime lens to get the best quality images. Most DSLR cameras will come with one or two "kit" lenses. Ideally, you want the sharpest, cleanest, lowest light shooting lens which would be a prime lens. The complexity of the zoom lens makes them a bit less sharp and they are prey to greater amounts of lens problems such as distortion, chromatic aberration and vignetting. You can "zoom" in and out from your subject. A prime lens typically has a larger maximum aperture so they perform better in low light situations, also creating a better depth of field (your subject in focus and the background blurred).Ī zoom lens is just as described. Which means you have to move closer or further away from your subject. There are two kinds of lenses: prime lenses and zoom lenses.Ī prime lens is a lens with a fixed focal length. This allows you to choose from a variety of different focal lengths. ![]() One advantage of most DSLRs is the ability to switch lenses. Shop around, look at some options at different f-stops, but rest assured that you’re going to get a powerful, fast, sharp, and helpful lens if you go with the nifty fifty.įor more camera and lens resources, check out these filmmaking articles.We get this question A LOT!! "What lens should I get for my DSLR camera?" Well, you are in the right place, friend! We are going to give you all the best advice on which lens would be the BEST first investment to begin documenting your family's life. However, due to their size (and depending on their speed), you can just about always find a nifty fifty for anywhere from a few hundred dollars to less than one hundred (used). However, many high-end prime lenses get pricey quickly. Fixed lenses are usually cheaper than their zoom counterparts due to fewer moving parts and mechanisms. Perhaps the most appealing aspect of a nifty fifty 50mm lens is the price. It’ll be a tighter macro, but you can still position yourself better than other lens offerings. However, with a 50mm (instead of, say, an 85mm prime), you’re not in a terrible bind when shooting on a 1.75x crop factor. ![]() While full frame is still the ideal for most filmmakers and videographers, working on crop sensor cameras can be common. In today’s market, you very well could end up changing cameras pretty often (or working with other filmmakers using different cameras). That being said, you don’t always want to be razor thin with your depth of field, but if you’re in a pinch and need to capture quality information in low light, your nifty fifty can be a lifesaver. You can usually find 50mm lenses starting at f/2.8 or lower, which is already a sharp, fast, and shallow option for cinematic footage in just about every situation.īy the same token, when you’re shooting at a low f-stop, a wide-open lens can be surprisingly helpful for getting the most out of low light situations. I highly recommend reading the full article on the history of the 50mm through its production and mechanics, but needless to say, in theory, under the right circumstances, it absolutely communicates a perspective most closely tied with how we view the world around us.Īs a fixed lens (as opposed to a zoom, which can change focal lengths), nifty fifties are very fast and sharp alternatives to higher f-stop zoom options. In a great article over at The Atlantic, Allain Daigle recently argued that the 50mm has forever changed filmmaking, as it is often seen as “the most objective” and best approximation of human vision. Here are the five main reasons you should own a “nifty fifty” 50mm lens. It may even save your butt one day - and buying one won’t break the bank. However, if you know how to use one well, a “nifty fifty” 50mm lens can be a very powerful tool for capturing sharp, cinematic footage in any situation. Zoom lenses have become the norm for those who feel that they don’t have time to change lenses often and set shots carefully. Today’s digital filmmaking world is increasingly becoming point-and-shoot and run-and-gun. Here are five reasons to add one to your toolkit. Every filmmaker and videographer should have a “nifty fifty” 50mm lens at their disposal.
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